The music is an alternating fast and slow tempo similar to Spanish airs which accompany dances like the flamenco, jota, bolero, seguidilla and fandango. The ladies wave their mantón, or decorative shawl, while the gentlemen keep brisk pace with bamboo castanets. The zapateados (footwork), cubrados (curved arms), and Sevillana (flounced and ruffled) style of dress are evidently Spanish in origin. The Jota Paragua came from Palawan’s old capital, Cuyo Islands which displays a heavy Castilian influence. Variations of jotas differ from region to region. The jota is accompanied by the Philippine rondalla often consisting of a bandurria, guitar, bass and other mandolin-type instruments. Notable differences between the Philippine and Spanish jotas are the use of unstrung bamboo castanets. These versions are combinations of Spanish and Filipino dance steps and music. The Filipinos adapted this lively and delightful dance with different versions. It was originally performed in social gatherings (like weddings, parties and baptisms) during the Spanish period in the Philippines. The Philippine jota was among the most popular dances during the Spanish colonial period in the Philippines and up to the early 20th century. The songs accompanying the jota, which are known for their wry humor, typically deal with life, love, weddings, (often giving advice to the newlyweds) or religion. The jota of Castile has a more sober, less airy feel to it, while the steps are quicker and sharper than what is seen in the Aragonese version. As the music plays, the dancers dance with hands atop their heads, accompanied at times by castanets. Among the most popular can be found: Jota de San Lorenzo (Huesca), Jota Vieja, Aragón Tierra Bravía, Gigantes y Cabezudos, La Dolores (these two are taken from the zarzuela and opera respectively of the same names), and the danza de la Olivera.Īs noted earlier, the jota of Castile tends to be accompanied by guitars, bandurrias, lutes, dulzaina and drums. Nowadays there exist many modern varieties of the jota which are performed by various folkloric groups. The most pure forms of the jota can still be found in Calanda, Alcañiz, Andorra, Albalate, and Zaragoza. Since the end of the 19th century, heavily choreographed versions have often been made for zarzuelas, movies, contests, festivals, and other entertainments. Due to the complexities of the dance steps and manner of singing, the jota has evolved. It dates as far back as the 18th century, and reached the pinnacle of its splendor in the 19th century. The Aragonese jota is the best-known expression of Aragonese folklore. Jota de Guara, Aragonese jota exhibition ( Huesca, 2018) Īragonese jota Aragonese jota singer Pedro Nadal, known as El Royo del Rabal ("The Redhead from the Peasant's Quarter"), as painted in 1881 by Carlos Larraz External videos ) in Aragonese Valencian: Asturian: xota Galician: xota. Due to phonetic changes, it has become jota (pronounced ) in modern Spanish (reborrowed to Valencian as jota, or cota ) and hotia (pron. The medieval word " xiota" (pronounced or ), derives from Mozarabic šáwta "jump", ultimately from Latin saltāre "to jump". Furthermore, the lyrics tend to be written in eight-syllable quartets, with assonance in the first and third verses. The steps have an appearance not unlike that of the waltz, though in the case of the jota, there is much more variation. In addition to this, the songs also have the effect of helping to generate a sense of local identity and cohesion. The content of the songs is quite diverse, from patriotism to religion to sexual exploits. Theatrical versions are sung and danced with regional costumes and castanets, though such things are not used when dancing the jota in less formal settings. For their interpretation, guitars, bandurrias, lutes, dulzaina, and drums are used in the Castilian style, while the Galicians use bagpipes, drums, and bombos. Ĥ rhythm, although some authors maintain that the 6Ĩ is better adapted to the poetic and choreographic structure. In Valencia, the jota was once danced during interment ceremonies. Being a visual representation, the jota is danced and sung accompanied by castanets, and the interpreters tend to wear regional costumes. It varies by region, having a characteristic form in Aragon (where it is the most important ), Catalonia, León, Castile, Navarre, Cantabria, Asturias, Galicia, La Rioja, Murcia and Eastern Andalusia. The jota ( pronounced ) is a genre of music and the associated dance known throughout Spain, most likely originating in Aragon. Spanish music genre and dance Aragonese jota dancers
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